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Falla, Manuel de (1876-1946) | |
The following sources are recommended by a professor whose research specialty is Spanish composer Manuel de Falla. |
· Budwig, Andrew. "The Evolution of Manuel de Falla's 'The Three-Cornered Hat,' 1916-1920." Journal of Musicological Research 5 (1984): 191-212.
· Budwig, Andrew. "The Rebirth of Atlántida: A Historical and Analytical Study." Ph.D. dissertation, University of Chicago, 1984.
· Christoforidis, Michael. "Folksong Models and Their Sources in Manuel de Falla's 'Siete Canciones Populares Españolas.'" Context 9 (1995): 12-21.
· Christoforidis, Michael. "Representations and the Represented: Manuel de Falla and the Images of the Artist." In Iconografía Manuel de Falla, 1876-1946: La Imagen de un Músico (Iconography of Manuel de Falla, 1876-1946: The Image of a Musician), edited by Javier Suárez-Pajares, translated by Yolanda Acker, pp. 21-38. Sociedad General de Autores de España, 1995. In Spanish and English.
· Hess, Carol A. Manuel de Falla and Modernism in Spain, 1898-1936. University of Chicago Press, 2001.
· Hess, Carol A. "Manuel de Falla's 'The Three-Cornered Hat' and the Spanish Right-Wing Press in Pre-Civil War Spain." Journal of Musicological Research 15/1-2 (1995): 55-80.
· Falla, Manuel de. Manuel de Falla: On Music and Musicians. Marion Boyars, 1979.
· Trend, John B. Manuel de Falla and Spanish Music. Scholarly Press, 1977; Knopf, 1934, 1929.
· Demarquez, Suzanne. Manuel de Falla. Translated by Salvator Attanasio. Da Capo Press, 1983; Chilton, 1968; original French edition, Flammarion, 1963.
· Pahissa, Jaime. Manuel de Falla: His Life and Works. Translated by Chi Qui Abril. Omnibus Press, 1999; translated by Jean Wagstaff, Hyperion Press, 1979, Museum Press, 1954; original Spanish edition, Vida y Obra de Manuel de Falla, Ricordi Americana, 1947.
· Crichton, Ronald. Falla. British Broadcasting, 1982.
· Hess, Carol A. "Falla (y Matheu), Manuel de." In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrell, vol. 8, pp. 529-35. Macmillan, 2001.
· Goldsbrough, Andy. "The Three-Cornered Hat of Manuel de Falla." Film Score Monthly (March 29, 2000). http://www.filmscoremonthly.com/articles/2000/29_Mar---The_Three_Cornered_Hat_of_Manuel_de_Falla.asp
· Hess, Carol. "Manuel de Falla and the Barcelona Press: Universalismo, Modernismo, and the Path to Neoclassicism." In Multicultural Iberia: Language, Literature, and Music, edited by Dru Dougherty and Milton M. Azevedo, vol. 103, pp. 212-229. University of California Press, 1999. http://repositories.cdlib.org/uciaspubs/research/103/17/
· Steinberg, Michael. "Manuel María de Falla y Matheu: Nights in the Gardens of Spain." Program Notes, San Francisco Symphony Orchestra, November 6-9, 2002. http://www.sfsymphony.org/templates/pgmnote.asp?nodeid=2642&callid=117
· Nommick, Yvan. "De La Vida Breve de 1905 à La Vie Brève de 1913: Genèse et Évolution d'une Oeuvre." Mélanges de la Casa de Velázquez 30 (1994): 71-94.
· Nommick, Yvan. Jardines de España de Santiago Rusiñol a Manuel de Falla. Ayuntamiento de Granada et al., 1997.
· Nommick, Yvan. "Un Ejemplo de Ambigüedad Formal: El Allegro del Concierto de Manuel de Falla." Revista de Musicología 21 (1998): 11-35.
· Nommick, Yvan. "Forma y Transformación de las Ideas Temáticas en las Obras Instrumentales de Manuel de Falla: Elementos de Apreciación." Revista de Musicología 21 (1998): 572-91.
· Rigoni, Michel. "De Falla: Le Concerto pour Clavecin." Analyse Musicale 21 (1990): 55-64.
"The Infography about Manuel de Falla (1876-1946)"
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