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Shakespeare, William (1564-1616)
The following sources are recommended by a professor whose research specialty is William Shakespeare.

Six Superlative Sources

· Chambers, E.K. The Elizabethan Stage. The Clarendon Press, 1923.

· Taylor, Gary. Reinventing Shakespeare: A Cultural History, from the Restoration to the Present. 1st ed. Weidenfeld and Nicolson, 1989.

· McDonald, Russ. The Bedford Companion to Shakespeare: An Introduction with Documents. Bedford Books of St. Martin's Press, 1996.

· Hyland, Peter. An Introduction to Shakespeare: The Dramatist in His Context. St. Martin's Press, 1996.

· Gurr, Andrew. Playgoing in Shakespeare's London. 2nd ed. Cambridge and Cambridge University Press, 1996.

· Shakespeare's Globe, at the University of Reading. http://www.rdg.ac.uk/globe/

Other Excellent Sources

· The Internet Shakespeare: Opportunities in a New Medium. http://extra.shu.ac.uk/emls/03-3/03-3toc.html

· The Complete Works of William Shakespeare. http://shakespeare.mit.edu/

· Barker, Deborah, and Ivo Kamps. Shakespeare and Gender: A History. Verso, 1995.

· Bate, Jonathan. The Genius of Shakespeare. Oxford University Press, 1998.

· Bradley, A.C. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 2d ed. Macmillan, 1905.

· Bristol, Michael D. Shakespeare's America, America's Shakespeare. Routledge, 1990.

· Chambers, E.K. William Shakespeare: A study of Facts and Problems. The Clarendon Press, 1930.

· Davies, Anthony, and Stanley W. Wells. Shakespeare and the Moving Image: The Plays on Film and Television. Cambridge University Press, 1994.

· Dollimore, Jonathan. Radical Tragedy: Teligion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries. 2nd ed. Duke University Press, 1993.

· Dollimore, Jonathan, and Alan Sinfield. Political Shakespeare: Essays in Cultural Materialism. 2nd ed. Cornell University Press, 1994.

· Drakakis, John, and Terence Hawkes. Alternative Shakespeares. New Accents. Methuen, 1985.

· Fineman, Joel. Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets. University of California Press, 1986.

· Garber, Marjorie B. Coming of Age in Shakespeare. Methuen, 1981.

· Goldberg, Jonathan. James I and the Politics of Literature: Jonson, Shakespeare, Donne, and Their Contemporaries. Johns Hopkins University Press, 1983.

· Greenblatt, Stephen Jay. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. New Historicism: Studies in Cultural Poetics; 4. University of California Press, 1988.

· Greg, Walter Wilson. The Editorial Problem in Shakespeare; A Survey of the Foundations of the Text. Clark Lectures, Trinity College, Cambridge, Lent term, 1939. 3d ed. Clarendon Press, 1954.

· Gurr, Andrew. The Shakespearean Stage, 1574-1642. 3rd ed. Cambridge University Press, 1992.

· Hodgdon, Barbara. The Shakespeare Trade: Performances and Appropriations. New Cultural Studies. University of Pennsylvania Press, 1998.

· Holderness, Graham. Shakespeare's History Plays: Richard II to Henry V: William Shakespeare. New Casebooks. St. Martin's Press, 1992.

· Holderness, Graham, Nick Potter, and John Turner. Shakespeare, the Play of History. 1st ed. University of Iowa Press, 1988.

· Howard, Jean E., Marion F. O'Connor, and International Shakespeare Association. Congress. Shakespeare Reproduced: The Text in History and Ideology. Routledge, 1990.

· Howard, Jean E., and Phyllis Rackin. Engendering a Nation: A Feminist Account of Shakespeare's English Histories. Feminist Readings of Shakespeare. Routledge, 1997.

· Jorgens, Jack J. Shakespeare on Film. Bloomington: Indiana University Press, 1977.

· Kahn, Coppélia. Man's Estate: Masculine Identity in Shakespeare. University of California Press, 1981.

· Kamps, Ivo. Materialist Shakespeare: A History. Verso, 1995.

· Kastan, David Scott, and Peter Stallybrass. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Routledge, 1991.

· Loomba, Ania, and Martin Orkin. Post-Colonial Shakespeares. New Accents. Routledege, 1998.

· Marcus, Leah S. Puzzling Shakespeare: Local Reading and Its Discontents. New Historicism; 6. University of California Press, 1988.

· Montrose, Louis Adrian. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre. University of Chicago Press, 1996.

· Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare's England. Cambridge University Press, 1996.

· Orlin, Lena Cowen, and Folger Shakespeare Library. Elizabethan Households: An Anthology. Folger Shakespeare Library, 1995.

· Parker, Patricia A. Shakespeare from the Margins: Language, Culture, Context. University of Chicago Press, 1996.

· Rackin, Phyllis. Stages of History: Shakespeare's English Chronicles. Cornell University Press, 1990.

· Saccio, Peter. Shakespeare's English Kings: History, Chronicle, and Drama. Oxford University Press, 1977.

· Schoenbaum, S. Shakespeare's Lives. New ed. Oxford: Clarendon Press; Oxford University Press, 1991.

· Shakespeare, William, and Stephen Booth. Shakespeare's Sonnets. Yale University Press, 1977.

· Shakespeare, William, et al. The Norton Shakespeare. 1st ed. W.W. Norton, 1997.

· Shapiro, James S. Shakespeare and the Jews. New York: Columbia University Press, 1996.

· Shaughnessy, Robert. Shakespeare on Film. New Casebooks. St. Martin's Press, 1998.

· Sinfield, Alan. Faultlines: Cultural Materialism and the Politics of Dissident Reading. University of California Press, 1992.

· Traub, Valerie. Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama. Gender, Culture, Difference. Routledge, 1992.

· Vaughan, Alden T., and Virginia Mason Vaughan. Shakespeare's Caliban: a Cultural History. Cambridge University Press, 1991.

· Vendler, Helen Hennessy. The Art of Shakespeare's Sonnets. Belknap Press of Harvard University Press, 1997.

· Wayne, Valerie. The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Cornell University Press, 1991.

· Wells, Stanley W., and James Shaw. A Dictionary of Shakespeare. Oxford Paperback Reference. Oxford University Press, 1998.

· Wiles, David. Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. Cambridge University Press, 1987.

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